Run Wilson is an Indie Rock/Pop band from Des Moines. The project of Max Yoder and Luke Lilienthal, started in high school, has turned into a prominently driven ambition. The band has gone from playing house parties around Des Moines to selling out 200 cap rooms around the midwest. Fresh off the local success of their 5 song EP, “Sherry Lane”, The group spent quarantine recording their first full length album with Phil Young at Sonic Factory Studios. Hypna, the 14 track concept album, illustrates the cycle of the mind in the hypnagogic state between reality and unconsciousness. The band consists of Max Yoder, Luke Lilienthal, Reed Andrews, Logan Ingraham, and the namesake of the band, Eli Wilson.

Zap Tura Zap Tura is the celestial psych-pop project of Des Moines-based multi-instrumentalist Andrew Jones. Between the bleary-eyed bedroom-pop of their debut, “Juxtaprose,” and the thick, congregational production of their newest album, “Adaptasia,” the project focuses on intricately crafted walls of intertwining, instrumental textures and found-sound experiments. Those details are pulled from organic sources like field recordings, studio sounds, and snippets from smartphone videos. Together they create a rich body of sound piercing through the layers with the kind of personal details hidden in the timestamps and location codes of digitally-captured memories. Throughout their first two albums, the band has utilized a rotating lineup ranging from solo iterations to full band interpretations of their densely-layered album offerings. With the release of “Adaptasia”, the band has translated the album into a full multimedia and inter-sensory experience. Their live set incorporates audio-synced kaleidoscope overlays, expanding and contracting to the album’s swerving directions and dynamic ranges. From cassette like “Juxtaprose”, to record like “Adaptasia,” or headphones on your bedroom floor to the booming PA system from some cavernous venue, the music itself transforms depending on its context. It’s adaptable, as the title of their newest album suggests, with different details unfurling from the sonic tapestry with each repeated listen. *** Skyscraper is the sound collage and solo recording project of Warm Gospel music label purveyor, Trey Reis. From the frenetic sample constructions of his early releases to the decaying minimalism of later experiments, Skyscraper transforms a century worth of natural sounds and recorded music into ambient soundscapes exploring the sonic depths of fidelity.

About Poundgame Addison: Poundgame Addison is a rapper, songwriter, and co-founder of Poundgame Music Megastar Management LLC. Originally from Davenport, Iowa. He was raised in multiple areas surrounding St.Louis, Missouri. During this time period, he found his love for music after the passing of his grandmother. Poundgame Addison is now expanding his sound and craft through the different cultures provided by his traveling lifestyle. While staying true to his hip hop background. His song “Smoked Love”, released in September of 2020, increased his fanbase allowing him to continue to grow his own record label and create partnerships with businesses such as Hotbox cookies, Medical Missouri, Nutrishop, Honda Dealers, etc.

Jake Blount

Jake Blount is an award-winning banjoist, fiddler, singer and scholar based in Providence, RI. He is half of the internationally touring duo Tui, a 2020 recipient of the Steve Martin Banjo Prize, and a board member of Bluegrass Pride. He is a two-time winner and many-time finalist of the Appalachian String Band Music Festival (better known as Clifftop). Although he is proficient in multiple performance styles, he specializes in the music of Black and indigenous communities in the southeastern United States, and in the regional style of Ithaca, New York. He foregrounds the experiences of queer people and people of color in his work. He has studied with modern masters of old-time music, including Bruce Molsky, Judy Hyman (of the Horse Flies), and Rhiannon Giddens and Hubby Jenkins (of the GRAMMY-winning Carolina Chocolate Drops)

Laurel Premo:

She is a Michigan-based artist who has been writing, arranging, and touring since 2009 with vocal and instrumental roots acts, and is internationally known from her duo Red Tail Ring. Premo holds a BFA from the Performing Arts Technology Dept. of the University of Michigan School of Music, and has spent half-year stints at both the Sibelius Academy of Music in Helsinki, Finland and the University College of Southeast Norway in Telemark to study traditional music and dance. Important mentors who have helped shape Laurel’s lens in folk arts have been her parents Bette & Dean Premo (fiddle, guitar, and traditional song, Michigan), Joel Mabus (clawhammer banjo, Michigan), Arto Järvelä (fiddle, Finland), and Ånon Egeland (fiddle, Norway). Alongside several continuing music projects, she is active in organizing community events that connect people with folk art and dance

Clem Snide “The last ten years have been a rollercoaster of deep despair and amazing opportunities that somehow present themselves at the last possible second,” says Eef Barzelay. “During that time, the band bottomed out, I lost my house, and I had to declare bankruptcy. The only way to survive was to try to transcend myself, to find some kind of deeper, spiritual relationship with life. Once I committed to that, all these little miracles started happening.” ‘Forever Just Beyond,’ Barzelay’s stunning album under the Clem Snide moniker, may just be the most miraculous of them all. Produced by Scott Avett, the record is a work of exquisite beauty and profound questioning, a reckoning with faith and reality that rushes headlong into the unknown and the unknowable. The songs here grapple with hope and depression, identity and perception, God and the afterlife, humanizing thorny existential issues and delivering them with the intimate, understated air of a late-night conversation between old friends. Avett’s production is similarly warm and inviting, and the careful, spacious arrangement of gentle guitars and spare percussion carves a wide path for Barzelay’s insightful lyrics and idiosyncratic delivery. “I look up to Eef with total respect and admiration,” says Avett, “and I hope to survive like he survives: with total love for the new and the unknown. Eef’s a crooner and an indie darling by sound and a mystic sage by depth. That’s not common, but it’s beautiful.” Named for a William S. Borroughs character, Clem Snide first emerged from Boston as a three-piece in the early 1990’s, and the group would go on to become a cult and critical favorite, picking up high profile fans from Bon Iver to Ben Folds over the course of three decades and more than a dozen studio albums. NPR highlighted the Israeli-born Barzelay as “the most underrated songwriter in the business today, with a sneakily firm grasp on poignancy and humor,” while Rolling Stone hailed his songwriting as “soulful and incisive,” and The New Yorker praised his music’s “soothing melodies and candid wit.” Barzelay currently resides in Nashville, TN.

Midwest singer-songwriter Chad Elliott blends folk roots, swampy blues and soulful writing to deliver an original Americana sound. His live performances have been honed over a decade of being on the road performing more than 200 shows each year. Elliott is lauded as “Iowa’s Renaissance man” by Culture Buzz Magazine. He has penned more than 1,500 songs in his career while also cultivating his skills as a painter, sculptor, illustrator and author (Wilderman’s Treetop Tales; Rumble & Flash). “That man’s music is as honest as was Woody Guthrie’s.” – Atesh Sonneborn, Smithsonian Folkways Recordings Elliott’s early career demonstrates a love of folk, roots and singer-songwriter music. He has worked with many greats and shared the stage with artists of the highest caliber, including Odetta, Tom Paxton, Loudon Wainwright III, R.L. Burnside, Ruthie Foster, Jimmie Vaughan, Greg Brown, Bo Ramsey, etc.

Night Moves new album, Can You Really Find Me, pulsates and glows with the same sublime energy that radiated from breakout single “Carl Sagan” in 2016, however in the intervening years, John Pelant and Micky Alfano have grown up. The songwriting, while still steeped in super-catchy, velvety riffs and pure pop glaze, feels more sophisticated and modern. Since the pair met in high school, awestruck by such ear-candy wizards as Brian Wilson, Todd Rundgren, Stevie Nicks and Lindsay Buckingham, they set off to craft their version of what sophisticated, emotional modern pop music can and should sound like. 2016’s Pennied Days was a breakthrough, and set a new bar for the members of Night Moves. After spending the subsequent two years on Can You Really Find Me, they’ve scaled new heights, where the sounds are still just as sweet, but now smarter, more evocative, and perfectly designed for a summer release. So how did something that feels so warm and breezy – like the perfect summer soundtrack – emerge from the dead of a bleak and frigid Minneapolis winter? Pelant and Alfano sequestered themselves, dreaming their way out of the cold by writing songs like “Coconut Grove,” a whirly psychedelic love song, and “Ribboned Skies,” a blazing ode to guitars and syncopation. Minneapolis has always played a part in the creative process for these dyed-in-the-wool locals. Long heralded as local hot shots in the cold, desolate, land of Prince, Westerberg and Dylan, John and Micky have still never stopped working the grind; in donut shops, bakeries and restaurants, toiling to make ends meet yet trying find beauty in the mundanity, and in the tranquil midnights. Pelant, as a writer, thrives in the gloom of isolation; a cold void, “I think it’s this type of environment that helps me feel focused. Zero distractions. Focused in a way where I can tap into certain emotions. I think some of the best music transports you to a place in time where your memories become potent visualizations. When writing closed off like this, you can see the images easily and your brain will pick the right chords and tones and guide you where you ought to go. I think being alone during that type of hibernation season is a great space in which to create.” Once they emerged from their creative cocoon, it was down to the warmth and mythical allure of Austin, TX to bring the album to life. If Minneapolis was about hunkering down in cold isolation, Austin was about heat and life, working with producer Jim Eno (founding member and drummer of Spoon) out of Public Hi-Fi Studios, alongside live band members Mark Hanson and Chuck Murlowski, to record the ten tracks that make up Can You Really Find Me. The tunefulness of this collection is not by accident. As Pelant deadpans, “Wouldn’t it be great if we could make a record that sounded like it has a lot of singles on it?” Whether it’s the infinitely hooky “Strands Align,” the up-tempo synth flourishes of “Recollections,” or the buttery soul of “Saving the Dark,” each song so adeptly sticks to the album premise of feeling “single-like” that you wonder how they will even choose any. In the grab bag of modern pop genres, from neo-psychedelia to shoe-gaze, ambient pop to cosmic country, Night Moves dream big on Can You Really Find Me and deliver a genuinely sparkling set that corrals all of these styles into one cohesive collection. Reflecting once more on the new album, Pelant feels it functions in part as a rumination on aging; a period piece denoting his last 3 years, “I told myself at 18 I wanted to dedicate my 20’s to music and if nothing came of it, I would move on. So now closing out my 20’s, I feel there is still ground left to cover, I’m not quite satisfied yet. Our last album saw us hit a lot of hurdles; despite the successes we had, we parted ways with our management and lost a founding member of the band. While it’s proven to be a bumpy ride, I feel it just may be worth the trouble. I think I’m more comfortable now in my skin than I was at 24.”